BOB DYLAN
BOB DYLAN
(1941)
Su nombre es Robert Allen Zimmerman, nacido en Duluth, Minnesota. Hijo de un almacenero, en el liceo aprende a tocar gui y arm, forma un grupo musical llamado THE GOLDEN CHORDS. 1959: va a la universidad de Minnesota en Minneapolis a estudiar arte, donde se encanta con el blues y la pasa tocando música folk en los cafés y adopta su nombre artístico (en homenaje al poeta Dylan Thomas). 1960: pasa el verano en Denver, donde recibe la influencia del bluesero Jesse Fuller. 1961: se va a Nueva York, se hace conocido en el circuito y visita a su ídolo moribundo, Woody Guthrie, participa en algunas grabaciones (toca arm en disco de Harry Belafonte) y firma con Columbia. 1962: Bob Dylan, mayormente covers. 1963: The Freewheelin' Bob Dylan (contiene Blowing in the Wind), se establece como cantautor-protesta folk, gracias en parte a recortes hechos por su manager Albert Grossman, inicia relación con Joan Baez. 1964: The Times They Are A-Changing (línea de protesta) y Another Side of Bob Dylan (introspectivo), con influencias de Keats, Rimbaud y blues (contiene My Back Pages).
1965: Bring It All Back Home, 1º platino, con elementos eléctricos debido a influencia de THE ANIMALS y su versión de House of the Rising Sun (contiene Subterranean Homesick Blues y Mr. Tambourine Man), gira por UK y filme Don't Look Back (con el célebre video de Subterranean Homesick Blues), termina con Joan Baez y comienza relación con Sara Lowndes, presentación polémica en el Newport Folk Festival acompañado de THE PAUL BUTTERFIELD BLUES BAND, después contrata a THE HAWKS como acompañantes, lanza Highway 61 Revisited (cercanía al pop, contiene Like a Rolling Stone, canción que dura cerca de 6'). 1966: Blonde On Blonde, álbum doble (entrada al rock, contiene Just Like a Woman, Rainy Day Women # 12 & 35 y Positively 4th Street), gira por UK donde lo acusan de "Judas", sufre grave accidente motociclístico en julio y tarda casi dos años en recuperarse, entretanto graba varias canciones en la casa rentada "Big Pink". 1967: John Wesley Harding, más espiritual y country-rock (contiene All Along the Watchtower y The Ballad of Frankie Lee and Judas Priest). 1968: THE HAWKS cambia su nombre a THE BAND. 1969: Nashville Skyline, grabado con músicos country e incluye dueto con Johnny Cash (contiene Lay Lady Lay). 1970: Self Portrait, otro álbum doble, y New Morning no son bien recibidos.
1971: publica el libro Tarantula y aparece en el Concierto para Bangladesh. 1972: compone música y debuta en el filme Pat Garrett and Billy the Kid de Sam Peckinpah haciendo el personaje de "Alias" (contiene el hit Knockin' On Heaven's Door). 1973: se cambia a Assylum Records y Columbia lanza Dylan. 1974: lanza Planet Waves (1º LP Nº 1) e inicia gira mundial recogida en álbum Before the Flood. 1975: vuelve a Columbia y lanza Blood on the Tracks, con gira "The Rolling Thunder Revue" en la que van Joan Baez, Joni Mitchell, Arlo Guthrie, Roger McGuinn y Allen Ginsberg, lanza la canción Hurricane, protesta por prisión del boxeador Rubin Carter. Se lanzan álbumes Desire (estudio) y Hard Rain (en vivo), con filmaciones en vivo más The Basement Tapes, recopilación de canciones grabadas en la Big Pink. 1978: Renaldo and Clara filme documental de la gira anterior, se lanza el álbum Street Legal, otra gira y se anuncia su conversión al cristianismo. 1979: Slow Train Coming (contiene Gotta Serve Somebody), seguido por LPs en 1980 (Saved) y 1981 (Shot of Love). 1982: retorna aparentemente al judaísmo por medio del movimiento Lubavitch Chabad y peregrina a Israel.
1983: Infidels, producido por Mark Knopfler. 1984: Real Live. 1985: Empire Burlesque, con elementos de dance y R&R, también el retrospectivo Biograph. 1986: toca con TOM PETTY AND THE HEARTBREAKERS y lanza Knocked Out Loaded. 1987: hace gira con THE GRATEFUL DEAD. 1988: se une a THE TRAVELING WILBURYS (con Tom Petty, George Harrison, Roy Orbison y Jeff Lynne). 1988: se embarca en gira "The Never-Ending Tour" y lanza Down in the Groove, mayormente covers. 1989: Oh Mercy, éxito, también se lanza Dylan & The Dead (recopilación de su gira con THE GRATEFUL DEAD). 1990: Under the Red Sky. 1991: The Bootleg Series Vols. 1-3. 1992: Good As I Been to You, colección acústica de canciones folk. 1993: World Gone Wrong, retorno al folk tradicional y celebración en vivo de su 30º aniversario. 1995: MTV Unplugged. 1997: Time Out of Mind, ganador de varios Grammy. 2000: participa en la banda sonora musical del filme Wonder Boys con la canción Things Have Changed, con la que gana un Oscar y un Globo de Oro. 2001: Love and Theft.
Blowin´in the Wind (The Freewheelin' Bob Dylan, 1963)
How many roads must a man walk down
Before you call him a man?
Yes, 'n' how many seas must a white dove sail
Before she sleeps in the sand?
Yes, 'n' how many times must the cannon balls fly
Before they're forever banned?
The answer, my friend, is blowin' in the wind,
The answer is blowin' in the wind.
How many times must a man look up
Before he can see the sky?
Yes, 'n' how many ears must one man have
Before he can hear people cry?
Yes, 'n' how many deaths will it take till he knows
That too many people have died?
The answer, my friend, is blowin' in the wind,
The answer is blowin' in the wind.
How many years can a mountain exist
Before it's washed to the sea?
Yes, 'n' how many years can some people exist
Before they're allowed to be free?
Yes, 'n' how many times can a man turn his head,
Pretending he just doesn't see?
The answer, my friend, is blowin' in the wind,
The answer is blowin' in the wind.
The Times They Are A-Changing (1964)
Come gather 'round people
Wherever you roam
And admit that the waters
Around you have grown
And accept it that soon
You'll be drenched to the bone.
If your time to you
Is worth savin'
Then you better start swimmin'
Or you'll sink like a stone
For the times they are a-changin'.
Come writers and critics
Who prophesize with your pen
And keep your eyes wide
The chance won't come again
And don't speak too soon
For the wheel's still in spin
And there's no tellin' who
That it's namin'.
For the loser now
Will be later to win
For the times they are a-changin'.
Come senators, congressmen
Please heed the call
Don't stand in the doorway
Don't block up the hall
For he that gets hurt
Will be he who has stalled
There's a battle outside
And it is ragin'.
It'll soon shake your windows
And rattle your walls
For the times they are a-changin'.
Come mothers and fathers
Throughout the land
And don't criticize
What you can't understand
Your sons and your daughters
Are beyond your command
Your old road is
Rapidly agin'.
Please get out of the new one
If you can't lend your hand
For the times they are a-changin'.
The line it is drawn
The curse it is cast
The slow one now
Will later be fast
As the present now
Will later be past
The order is
Rapidly fadin'.
And the first one now
Will later be last
For the times they are a-changin'.
Subterranean Homesick Blues (Bring It All Back Home, 1965)
Johnny's in the basement
Mixing up the medicine
I'm on the pavement
Thinking about the government
The man in the trench coat
Badge out, laid off
Says he's got a bad cough
Wants to get it paid off
Look out kid
It's somethin' you did
God knows when
But you're doin' it again
You better duck down the alley way
Lookin' for a new friend
The man in the coon-skin cap
In the big pen
Wants eleven dollar bills
You only got ten
Maggie comes fleet foot
Face full of black soot
Talkin' that the heat put
Plants in the bed but
The phone's tapped anyway
Maggie says that many say
They must bust in early May
Orders from the D. A.
Look out kid
Don't matter what you did
Walk on your tip toes
Don't try "No Doz"
Better stay away from those
That carry around a fire hose
Keep a clean nose
Watch the plain clothes
You don't need a weather man
To know which way the wind blows
Get sick, get well
Hang around a ink well
Ring bell, hard to tell
If anything is goin' to sell
Try hard, get barred
Get back, write braille
Get jailed, jump bail
Join the army, if you fail
Look out kid
You're gonna get hit
But users, cheaters
Six-time losers
Hang around the theaters
Girl by the whirlpool
Lookin' for a new fool
Don't follow leaders
Watch the parkin' meters
Ah get born, keep warm
Short pants, romance, learn to dance
Get dressed, get blessed
Try to be a success
Please her, please him, buy gifts
Don't steal, don't lift
Twenty years of schoolin'
And they put you on the day shift
Look out kid
They keep it all hid
Better jump down a manhole
Light yourself a candle
Don't wear sandals
Try to avoid the scandals
Don't wanna be a bum
You better chew gum
The pump don't work
'Cause the vandals took the handles.
Like a Rolling Stone (Highway 61 Revisited, 1965)
Once upon a time you dressed so fine
You threw the bums a dime in your prime, didn't you?
People'd call, say, "Beware doll, you're bound to fall"
You thought they were all kiddin' you
You used to laugh about
Everybody that was hangin' out
Now you don't talk so loud
Now you don't seem so proud
About having to be scrounging for your next meal.
How does it feel
How does it feel
To be without a home
Like a complete unknown
Like a rolling stone?
You've gone to the finest school all right, Miss Lonely
But you know you only used to get juiced in it
And nobody has ever taught you how to live on the street
And now you find out you're gonna have to get used to it
You said you'd never compromise
With the mystery tramp, but now you realize
He's not selling any alibis
As you stare into the vacuum of his eyes
And ask him do you want to make a deal?
How does it feel
How does it feel
To be on your own
With no direction home
Like a complete unknown
Like a rolling stone?
You never turned around to see the frowns on the jugglers and the clowns
When they all come down and did tricks for you
You never understood that it ain't no good
You shouldn't let other people get your kicks for you
You used to ride on the chrome horse with your diplomat
Who carried on his shoulder a Siamese cat
Ain't it hard when you discover that
He really wasn't where it's at
After he took from you everything he could steal.
How does it feel
How does it feel
To be on your own
With no direction home
Like a complete unknown
Like a rolling stone?
Princess on the steeple and all the pretty people
They're drinkin', thinkin' that they got it made
Exchanging all kinds of precious gifts and things
But you'd better lift your diamond ring, you'd better pawn it babe
You used to be so amused
At Napoleon in rags and the language that he used
Go to him now, he calls you, you can't refuse
When you got nothing, you got nothing to lose
You're invisible now, you got no secrets to conceal.
How does it feel
How does it feel
To be on your own
With no direction home
Like a complete unknown
Like a rolling stone?
Rainy Day Women #12 & 35 (Blonde on Blonde, 1966)
Well, they'll stone ya when you're trying to be so good,
They'll stone ya just a-like they said they would.
They'll stone ya when you're tryin' to go home.
Then they'll stone ya when you're there all alone.
But I would not feel so all alone,
Everybody must get stoned.
Well, they'll stone ya when you're walkin' 'long the street.
They'll stone ya when you're tryin' to keep your seat.
They'll stone ya when you're walkin' on the floor.
They'll stone ya when you're walkin' to the door.
But I would not feel so all alone,
Everybody must get stoned.
They'll stone ya when you're at the breakfast table.
They'll stone ya when you are young and able.
They'll stone ya when you're tryin' to make a buck.
They'll stone ya and then they'll say, "good luck."
Tell ya what, I would not feel so all alone,
Everybody must get stoned.
Well, they'll stone you and say that it's the end.
Then they'll stone you and then they'll come back again.
They'll stone you when you're riding in your car.
They'll stone you when you're playing your guitar.
Yes, but I would not feel so all alone,
Everybody must get stoned.
Well, they'll stone you when you walk all alone.
They'll stone you when you are walking home.
They'll stone you and then say you are brave.
They'll stone you when you are set down in your grave.
But I would not feel so all alone,
Everybody must get stoned.
All Along the Watchtower (John Wesley Harding, 1967)
"There must be some way out of here," said the joker to the thief,
"There's too much confusion, I can't get no relief.
Businessmen, they drink my wine, plowmen dig my earth,
None of them along the line know what any of it is worth."
"No reason to get excited," the thief, he kindly spoke,
"There are many here among us who feel that life is but a joke.
But you and I, we've been through that, and this is not our fate,
So let us not talk falsely now, the hour is getting late."
All along the watchtower, princes kept the view
While all the women came and went, barefoot servants, too.
Outside in the distance a wildcat did growl,
Two riders were approaching, the wind began to howl.
Knockin´on Heaven´s Door (Pat Garret & Billy the Kid, 1973)
Mama, take this badge off of me
I can't use it anymore.
It's gettin' dark, too dark for me to see
I feel like I'm knockin' on heaven's door.
Knock, knock, knockin' on heaven's door
Knock, knock, knockin' on heaven's door
Knock, knock, knockin' on heaven's door
Knock, knock, knockin' on heaven's door
Mama, put my guns in the ground
I can't shoot them anymore.
That long black cloud is comin' down
I feel like I'm knockin' on heaven's door.
Knock, knock, knockin' on heaven's door
Gotta Serve Somebody (Slow Train Coming, 1979)
You may be an ambassador to England or France,
You may like to gamble, you might like to dance,
You may be the heavyweight champion of the world,
You may be a socialite with a long string of pearls
But you're gonna have to serve somebody, yes indeed
You're gonna have to serve somebody,
Well, it may be the devil or it may be the Lord
But you're gonna have to serve somebody.
You might be a rock 'n' roll addict prancing on the stage,
You might have drugs at your command, women in a cage,
You may be a business man or some high degree thief,
They may call you Doctor or they may call you Chief
But you're gonna have to serve somebody, yes indeed
You're gonna have to serve somebody,
Well, it may be the devil or it may be the Lord
But you're gonna have to serve somebody.
You may be a state trooper, you might be a young Turk,
You may be the head of some big TV network,
You may be rich or poor, you may be blind or lame,
You may be living in another country under another name
But you're gonna have to serve somebody, yes indeed
You're gonna have to serve somebody,
Well, it may be the devil or it may be the Lord
But you're gonna have to serve somebody.
You may be a construction worker working on a home,
You may be living in a mansion or you might live in a dome,
You might own guns and you might even own tanks,
You might be somebody's landlord, you might even own banks
But you're gonna have to serve somebody, yes indeed
You're gonna have to serve somebody,
Well, it may be the devil or it may be the Lord
But you're gonna have to serve somebody.
You may be a preacher with your spiritual pride,
You may be a city councilman taking bribes on the side,
You may be workin' in a barbershop, you may know how to cut hair,
You may be somebody's mistress, may be somebody's heir
But you're gonna have to serve somebody, yes indeed
You're gonna have to serve somebody,
Well, it may be the devil or it may be the Lord
But you're gonna have to serve somebody.
Might like to wear cotton, might like to wear silk,
Might like to drink whiskey, might like to drink milk,
You might like to eat caviar, you might like to eat bread,
You may be sleeping on the floor, sleeping in a king-sized bed
But you're gonna have to serve somebody, yes indeed
You're gonna have to serve somebody,
Well, it may be the devil or it may be the Lord
But you're gonna have to serve somebody.
You may call me Terry, you may call me Timmy,
You may call me Bobby, you may call me Zimmy,
You may call me R.J., you may call me Ray,
You may call me anything but no matter what you say
You're gonna have to serve somebody, yes indeed
You're gonna have to serve somebody.
Well, it may be the devil or it may be the Lord
But you're gonna have to serve somebody.