BOB DYLAN

06.06.2012 14:43

BOB DYLAN

(1941)

 

Su nombre es Robert Allen Zimmerman, nacido en Duluth, Minnesota. Hijo de un almacenero, en el liceo aprende a tocar gui y arm, forma un grupo musical llamado THE GOLDEN CHORDS. 1959: va a la universidad de Minnesota en Minneapolis a estudiar arte, donde se encanta con el blues y la pasa tocando música folk en los cafés y adopta su nombre artístico (en homenaje al poeta Dylan Thomas). 1960: pasa el verano en Denver, donde recibe la influencia del bluesero Jesse Fuller. 1961: se va a Nueva York, se hace conocido en el circuito y visita a su ídolo moribundo, Woody Guthrie, participa en algunas grabaciones (toca arm en disco de Harry Belafonte) y firma con Columbia. 1962: Bob Dylan, mayormente covers. 1963: The Freewheelin' Bob Dylan (contiene Blowing in the Wind), se establece como cantautor-protesta folk, gracias en parte a recortes hechos por su manager Albert Grossman, inicia relación con Joan Baez. 1964: The Times They Are A-Changing (línea de protesta) y Another Side of Bob Dylan (introspectivo), con influencias de Keats, Rimbaud y blues (contiene My Back Pages).

 

1965: Bring It All Back Home, 1º platino, con elementos eléctricos debido a influencia de THE ANIMALS y su versión de House of the Rising Sun (contiene Subterranean Homesick Blues y Mr. Tambourine Man), gira por UK y filme Don't Look Back (con el célebre video de Subterranean Homesick Blues), termina con Joan Baez y comienza relación con Sara Lowndes, presentación polémica en el Newport Folk Festival acompañado de THE PAUL BUTTERFIELD BLUES BAND, después contrata a THE HAWKS como acompañantes, lanza Highway 61 Revisited (cercanía al pop, contiene Like a Rolling Stone, canción que dura cerca de 6'). 1966: Blonde On Blonde, álbum doble (entrada al rock, contiene Just Like a Woman, Rainy Day Women # 12 & 35 y Positively 4th Street), gira por UK donde lo acusan de "Judas", sufre grave accidente motociclístico en julio y tarda casi dos años en recuperarse, entretanto graba varias canciones en la casa rentada "Big Pink". 1967: John Wesley Harding, más espiritual y country-rock (contiene All Along the Watchtower y The Ballad of Frankie Lee and Judas Priest). 1968: THE HAWKS cambia su nombre a THE BAND. 1969: Nashville Skyline, grabado con músicos country e incluye dueto con Johnny Cash (contiene Lay Lady Lay). 1970: Self Portrait, otro álbum doble, y New Morning no son bien recibidos.

 

1971: publica el libro Tarantula y aparece en el Concierto para Bangladesh. 1972: compone música y debuta en el filme Pat Garrett and Billy the Kid de Sam Peckinpah haciendo el personaje de "Alias" (contiene el hit Knockin' On Heaven's Door). 1973: se cambia a Assylum Records y Columbia lanza Dylan. 1974: lanza Planet Waves (1º LP Nº 1) e inicia gira mundial recogida en álbum Before the Flood. 1975: vuelve a Columbia y lanza Blood on the Tracks, con gira "The Rolling Thunder Revue" en la que van Joan Baez, Joni Mitchell, Arlo Guthrie, Roger McGuinn y Allen Ginsberg, lanza la canción Hurricane, protesta por prisión del boxeador Rubin Carter. Se lanzan álbumes Desire (estudio) y Hard Rain (en vivo), con filmaciones en vivo más The Basement Tapes, recopilación de canciones grabadas en la Big Pink. 1978: Renaldo and Clara filme documental de la gira anterior, se lanza el álbum Street Legal, otra gira y se anuncia su conversión al cristianismo. 1979: Slow Train Coming (contiene Gotta Serve Somebody), seguido por LPs en 1980 (Saved) y 1981 (Shot of Love). 1982: retorna aparentemente al judaísmo por medio del movimiento Lubavitch Chabad y peregrina a Israel.

 

1983: Infidels, producido por Mark Knopfler. 1984: Real Live. 1985: Empire Burlesque, con elementos de dance y R&R, también el retrospectivo Biograph. 1986: toca con TOM PETTY AND THE HEARTBREAKERS y lanza Knocked Out Loaded. 1987: hace gira con THE GRATEFUL DEAD. 1988: se une a THE TRAVELING WILBURYS (con Tom Petty, George Harrison, Roy Orbison y Jeff Lynne). 1988: se embarca en gira "The Never-Ending Tour" y lanza Down in the Groove, mayormente covers. 1989: Oh Mercy, éxito, también se lanza Dylan & The Dead (recopilación de su gira con THE GRATEFUL DEAD). 1990: Under the Red Sky. 1991: The Bootleg Series Vols. 1-3. 1992: Good As I Been to You, colección acústica de canciones folk. 1993: World Gone Wrong, retorno al folk tradicional y celebración en vivo de su 30º aniversario. 1995: MTV Unplugged. 1997: Time Out of Mind, ganador de varios Grammy. 2000: participa en la banda sonora musical del filme Wonder Boys con la canción Things Have Changed, con la que gana un Oscar y un Globo de Oro. 2001: Love and Theft.

 

Blowin´in the Wind (The Freewheelin' Bob Dylan, 1963)

How many roads must a man walk down

Before you call him a man?

Yes, 'n' how many seas must a white dove sail

Before she sleeps in the sand?

Yes, 'n' how many times must the cannon balls fly

Before they're forever banned?

The answer, my friend, is blowin' in the wind,

The answer is blowin' in the wind.

 

How many times must a man look up

Before he can see the sky?

Yes, 'n' how many ears must one man have

Before he can hear people cry?

Yes, 'n' how many deaths will it take till he knows

That too many people have died?

The answer, my friend, is blowin' in the wind,

The answer is blowin' in the wind.

 

How many years can a mountain exist

Before it's washed to the sea?

Yes, 'n' how many years can some people exist

Before they're allowed to be free?

Yes, 'n' how many times can a man turn his head,

Pretending he just doesn't see?

The answer, my friend, is blowin' in the wind,

The answer is blowin' in the wind.

 

The Times They Are A-Changing (1964)

 

Come gather 'round people

Wherever you roam

And admit that the waters

Around you have grown

And accept it that soon

You'll be drenched to the bone.

If your time to you

Is worth savin'

Then you better start swimmin'

Or you'll sink like a stone

For the times they are a-changin'.

 

Come writers and critics

Who prophesize with your pen

And keep your eyes wide

The chance won't come again

And don't speak too soon

For the wheel's still in spin

And there's no tellin' who

That it's namin'.

For the loser now

Will be later to win

For the times they are a-changin'.

 

Come senators, congressmen

Please heed the call

Don't stand in the doorway

Don't block up the hall

For he that gets hurt

Will be he who has stalled

There's a battle outside

And it is ragin'.

It'll soon shake your windows

And rattle your walls

For the times they are a-changin'.

 

Come mothers and fathers

Throughout the land

And don't criticize

What you can't understand

Your sons and your daughters

Are beyond your command

Your old road is

Rapidly agin'.

Please get out of the new one

If you can't lend your hand

For the times they are a-changin'.

 

The line it is drawn

The curse it is cast

The slow one now

Will later be fast

As the present now

Will later be past

The order is

Rapidly fadin'.

And the first one now

Will later be last

For the times they are a-changin'.

 

Subterranean Homesick Blues (Bring It All Back Home, 1965)

 

Johnny's in the basement

Mixing up the medicine

I'm on the pavement

Thinking about the government

The man in the trench coat

Badge out, laid off

Says he's got a bad cough

Wants to get it paid off

Look out kid

It's somethin' you did

God knows when

But you're doin' it again

You better duck down the alley way

Lookin' for a new friend

The man in the coon-skin cap

In the big pen

Wants eleven dollar bills

You only got ten

 

Maggie comes fleet foot

Face full of black soot

Talkin' that the heat put

Plants in the bed but

The phone's tapped anyway

Maggie says that many say

They must bust in early May

Orders from the D. A.

Look out kid

Don't matter what you did

Walk on your tip toes

Don't try "No Doz"

Better stay away from those

That carry around a fire hose

Keep a clean nose

Watch the plain clothes

You don't need a weather man

To know which way the wind blows

 

Get sick, get well

Hang around a ink well

Ring bell, hard to tell

If anything is goin' to sell

Try hard, get barred

Get back, write braille

Get jailed, jump bail

Join the army, if you fail

Look out kid

You're gonna get hit

But users, cheaters

Six-time losers

Hang around the theaters

Girl by the whirlpool

Lookin' for a new fool

Don't follow leaders

Watch the parkin' meters

 

Ah get born, keep warm

Short pants, romance, learn to dance

Get dressed, get blessed

Try to be a success

Please her, please him, buy gifts

Don't steal, don't lift

Twenty years of schoolin'

And they put you on the day shift

Look out kid

They keep it all hid

Better jump down a manhole

Light yourself a candle

Don't wear sandals

Try to avoid the scandals

Don't wanna be a bum

You better chew gum

The pump don't work

'Cause the vandals took the handles.

 

Like a Rolling Stone (Highway 61 Revisited, 1965)

 

Once upon a time you dressed so fine

You threw the bums a dime in your prime, didn't you?

People'd call, say, "Beware doll, you're bound to fall"

You thought they were all kiddin' you

You used to laugh about

Everybody that was hangin' out

Now you don't talk so loud

Now you don't seem so proud

About having to be scrounging for your next meal.

 

How does it feel

How does it feel

To be without a home

Like a complete unknown

Like a rolling stone?

 

You've gone to the finest school all right, Miss Lonely

But you know you only used to get juiced in it

And nobody has ever taught you how to live on the street

And now you find out you're gonna have to get used to it

You said you'd never compromise

With the mystery tramp, but now you realize

He's not selling any alibis

As you stare into the vacuum of his eyes

And ask him do you want to make a deal?

 

How does it feel

How does it feel

To be on your own

With no direction home

Like a complete unknown

Like a rolling stone?

 

You never turned around to see the frowns on the jugglers and the clowns

When they all come down and did tricks for you

You never understood that it ain't no good

You shouldn't let other people get your kicks for you

You used to ride on the chrome horse with your diplomat

Who carried on his shoulder a Siamese cat

Ain't it hard when you discover that

He really wasn't where it's at

After he took from you everything he could steal.

 

How does it feel

How does it feel

To be on your own

With no direction home

Like a complete unknown

Like a rolling stone?

 

Princess on the steeple and all the pretty people

They're drinkin', thinkin' that they got it made

Exchanging all kinds of precious gifts and things

But you'd better lift your diamond ring, you'd better pawn it babe

You used to be so amused

At Napoleon in rags and the language that he used

Go to him now, he calls you, you can't refuse

When you got nothing, you got nothing to lose

You're invisible now, you got no secrets to conceal.

 

How does it feel

How does it feel

To be on your own

With no direction home

Like a complete unknown

Like a rolling stone?

 

Rainy Day Women #12 & 35 (Blonde on Blonde, 1966)

 

Well, they'll stone ya when you're trying to be so good,

They'll stone ya just a-like they said they would.

They'll stone ya when you're tryin' to go home.

Then they'll stone ya when you're there all alone.

But I would not feel so all alone,

Everybody must get stoned.

 

Well, they'll stone ya when you're walkin' 'long the street.

They'll stone ya when you're tryin' to keep your seat.

They'll stone ya when you're walkin' on the floor.

They'll stone ya when you're walkin' to the door.

But I would not feel so all alone,

Everybody must get stoned.

 

They'll stone ya when you're at the breakfast table.

They'll stone ya when you are young and able.

They'll stone ya when you're tryin' to make a buck.

They'll stone ya and then they'll say, "good luck."

Tell ya what, I would not feel so all alone,

Everybody must get stoned.

 

Well, they'll stone you and say that it's the end.

Then they'll stone you and then they'll come back again.

They'll stone you when you're riding in your car.

They'll stone you when you're playing your guitar.

Yes, but I would not feel so all alone,

Everybody must get stoned.

 

Well, they'll stone you when you walk all alone.

They'll stone you when you are walking home.

They'll stone you and then say you are brave.

They'll stone you when you are set down in your grave.

But I would not feel so all alone,

Everybody must get stoned.

 

All Along the Watchtower (John Wesley Harding, 1967)

 

"There must be some way out of here," said the joker to the thief,

"There's too much confusion, I can't get no relief.

Businessmen, they drink my wine, plowmen dig my earth,

None of them along the line know what any of it is worth."

 

"No reason to get excited," the thief, he kindly spoke,

"There are many here among us who feel that life is but a joke.

But you and I, we've been through that, and this is not our fate,

So let us not talk falsely now, the hour is getting late."

 

All along the watchtower, princes kept the view

While all the women came and went, barefoot servants, too.

Outside in the distance a wildcat did growl,

Two riders were approaching, the wind began to howl.

 

Knockin´on Heaven´s Door (Pat Garret & Billy the Kid, 1973)

 

Mama, take this badge off of me

I can't use it anymore.

It's gettin' dark, too dark for me to see

I feel like I'm knockin' on heaven's door.

 

Knock, knock, knockin' on heaven's door

Knock, knock, knockin' on heaven's door

Knock, knock, knockin' on heaven's door

Knock, knock, knockin' on heaven's door

 

Mama, put my guns in the ground

I can't shoot them anymore.

That long black cloud is comin' down

I feel like I'm knockin' on heaven's door.

 

Knock, knock, knockin' on heaven's door

 

Gotta Serve Somebody (Slow Train Coming, 1979)

 

You may be an ambassador to England or France,

You may like to gamble, you might like to dance,

You may be the heavyweight champion of the world,

You may be a socialite with a long string of pearls

 

But you're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody,

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody.

 

You might be a rock 'n' roll addict prancing on the stage,

You might have drugs at your command, women in a cage,

You may be a business man or some high degree thief,

They may call you Doctor or they may call you Chief

 

But you're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody,

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody.

 

You may be a state trooper, you might be a young Turk,

You may be the head of some big TV network,

You may be rich or poor, you may be blind or lame,

You may be living in another country under another name

 

But you're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody,

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody.

 

You may be a construction worker working on a home,

You may be living in a mansion or you might live in a dome,

You might own guns and you might even own tanks,

You might be somebody's landlord, you might even own banks

 

But you're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody,

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody.

 

You may be a preacher with your spiritual pride,

You may be a city councilman taking bribes on the side,

You may be workin' in a barbershop, you may know how to cut hair,

You may be somebody's mistress, may be somebody's heir

 

But you're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody,

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody.

 

Might like to wear cotton, might like to wear silk,

Might like to drink whiskey, might like to drink milk,

You might like to eat caviar, you might like to eat bread,

You may be sleeping on the floor, sleeping in a king-sized bed

 

But you're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody,

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody.

 

You may call me Terry, you may call me Timmy,

You may call me Bobby, you may call me Zimmy,

You may call me R.J., you may call me Ray,

You may call me anything but no matter what you say

 

You're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody.

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody.